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Publications (selected)

Chung, D.Y.S. ‘The evolution of Johann Sebastian Bach’s Chromatic Fantasia (BWV 903): a study of style and interpretative strategies’, in Ad Parnassum: A Journal of 18th and 19th Century Instrumental Music (October 2024), accepted for publication in December 2023.


Chung, D.Y.S. ‘The Significance of the Preludes with Figured Bass in F-Pn Vm8 1139 for Keyboard Pedagogy in Early Eighteenth-Century France’, in Figured Bass Accompaniment in Europe, edited by Livio Ticli. Turnhot: Brepols, 2024, pp. 3-20.

ISBN 978-2-503-60851-8

Chung, D.Y.S. ‘A Multifaceted Manuscript Brussels (B-Bc FA VI 089)’, Revue Belge de Musicologie, 75 (2021), pp. 27-54.

ISSN: 0771-6788


Chung, D.Y.S. ‘A Little Known Manuscript in Brussels (B-Bc 13878)’, Revue Belge de Musicologie, 74 (2020), pp. 5-16.

ISSN: 0771-6788


Chung, D.Y.S. ‘Chambonnières’s Jeunes Zéphyrs and the hidden craft of the seventeenth-century clavecinistes’, in Hidden Archives, Hidden Practices: Debates about Music-Making, ed. H. Marinho et als. Aveiro: UA Editora, 2020, pp. 127-142.

ISBN: 978-972-789-646-2


Chung, D.Y.S. ‘French collections: a precious miscellany’, Early Music 48, 2 (2020), pp. 281-284.


Chung, D.Y.S. ‘Transcribing Couperin’s Preludes à la D’Anglebert: A Journey into the Creative Processes of the 17th-Century Quasi-Improvisatory Tradition’, in Music & Practice, vol. 5 (2019),


Chung, D.Y.S. ‘François Couperin (1668–1733), ed. Denis Herlin, Pièces de clavecin, premier livre (1713) / Pièces de clavecin, second livre (1717). Kassel: Bärenreiter, 2016 / 2018.” Eighteenth-Century Music, 16, no. 2 (2019): 178–80.  [critical review of edition, by invitation: 1,500 words]


Chung, D.Y.S. ‘French harpsichord doubles and the creative art of the 17th-century clavecinistes’, in Musical Improvisation in the Baroque Era, edited by Fulvia Morabito. Turnhot: Brepols, 2019, pp. 3–29. [Book chapter: 8,000 words]

ISBN 978-2-503-58369-3


Chung, D.Y.S. Jacques Champion de Chambonnières. The Collected Works. Edited by Bruce Gustafson and Denis Herlin. 2 vols. Art of the Keyboard 12. New York: The Broude Trust, 2017, in Journal of Seventeenth-Century Music, vol. 24 (2018), no. 1 [critical review of edition, by invitation: 2,500 words]

ISSN: 1089-747X


Chung, D.Y.S. Online Thematic Keyboard of Lully Keyboard Arrangements., created 1 September 2018.


Chung, D.Y.S. ‘Rediscovered pièces de clavecin’, Early Music 45, 4 (2017), pp. 684–685.


Chung, D.Y.S., ‘Bernard de Bury (1720–1785), ed. Ruta Bloomfield. Four Suites for Harpsichord: critical edition. New York: Edwin Mellen, 2015, pp. XIII+ 74, isbn 978 0 7734 0081 8’, Eighteenth-Century Music 13, 2 (2016), pp. 316­–318. [invited review of music edition: 1,500 words]


Chung, D.Y.S. ‘French keyboard collections, Early Music 43, 4 (2015), pp. 713–716.


Chung, D.Y.S., ‘The Menetou manuscript: a study of styles and repertory for the harpsichord during late-seventeenth-century France’, Revue de musicologie 2 (2015): 407–436 [article, peer-reviewed: 9,000 words]


Chung, D.Y.S., ‘The Bauyn Manuscript: Harpsichord Music from the Seventeenth Century,’ Notes 72, no. 1 (2015): 216–221. [invited review of music edition: 3,340 words] (accessed August 11, 2015).


Chung, D.Y.S., ‘Interpreting Historical Keyboard Music: Sources, Contexts and Performance. Ed. by Andrew Woolley and John Kitchen’, Music & Letters 96, 1 (2015): 121–123 [invited review of book: 2,000 words]


Chung, D.Y.S., Keyboard Arrangements of Music by Jean-Baptiste Lully. Critical edition, in Monuments of Seventeenth-Century Music, Vol. 1 of the Web-Library of Seventeenth-Century Music. 2015. [Online critical edition of 248 pieces, with an Introductory text of 10,000 words]

[The Web Library of Seventeenth-Century Music (ISSN 2330-2429) presents new editions of seventeenth-century compositions that have remained unpublished or that are not available commercially. Editions are selected and reviewed by an Editorial Board of specialists in seventeenth-century music. As such, WLSCM is pioneering the online publication of refereed (peer-reviewed) musical editions. The Monuments series is dedicated to large collections and anthologies of music, often from a variety of sources. Taking advantage of online publishing, the editions feature a variety of search and browse functions and present individual printable scores with their own critical and performance notes.]


Chung, D.Y.S., ‘Keyboard music from France and the Low Countries’, in Early Music, (42)2014, pp. 147–50. [invited review of CD: 2,500 words]


Chung, D.Y.S., ‘French Harpsichord Vitality’, in Early Music, 41(2013), pp. 525–7. [invited review of CD: 2,200 words]


Chung, D.Y.S., ‘Couperin’s musical autobiography’, in Early Music, 40(2012), pp.502–3. [invited review of book: 1500 words]


Chung, D.Y.S., ‘Claude Bénigne Balbastre (1727–1799): Pièces de clavecin (1759)’, in Eighteenth-Century Music 9, 1 (2012), pp.144–6. [invited review of CD: 1,500 words]


Chung, D.Y.S., ‘The port de voix in Louis Couperin’s Unmeasured Preludes: A Study of Types, Functions and Interpretation’, in Performers’ Voices Across Centuries and Cultures, ed. Anne Marshman (London: Imperial Press, 2011), pp.59–84. [Book Chapter: 5,000 words]


Chung, D.Y.S., ‘D’Anglebert in multiple texts’, in Early Music, 39(2011), pp.624–6. [invited review of music edition: 2,300 words]


Chung, D.Y.S., ‘A German keyboard compendium’, critical review of recordings of 17th- and 18th-century German harpsichord music, in Early Music, 39(2011), pp.119–22. [invited review of CD: 2,500 words]


Chung, D.Y.S., ‘Revisiting le bon goût: observations on the irregularities and inconsistencies in French harpsichord music 1650–1730’, Music & Letters, 92 (2011), pp.183–201. [Journal Article, peer-reviewed: 9,000 words]


Chung, D.Y.S., ‘French harpsichord collections’, critical review of recordings of 17th- and 18th-century French harpsichord music, in Early Music, 38(2010), pp.160–3. [invited review of CD: 2,500 words]


Chung, D.Y.S., ‘Patronage and the development of French clavecin music during Louis XIV’s reign’, Proceedings of the International Conference in Musicology, Early Music: Context and Ideas II, Jagiellonian University, Krakow, Poland, September 2008, pp.110–8. [Conference Proceedings: 3,000 words]


Chung, D.Y.S., ‘Clavecin music from France and Belgium’, critical review of recordings of French and Belgium harpsichord music, in Early Music, 36(2008), pp.653–6. [invited review of CD: 2,500 words]


Chung, D.Y.S., ‘Chambonnières online’, critical review of Bruce Gustafson, Chambonnières: A Thematic Catalogue—The Complete Works of Jacques Champion de Chambonnières (1601/02–72), JSCM Instrumenta 1, University of Illinois Press, 2007, in Early Music, 36(2008), pp.314–6. [invited review of online publication: 1,800 words]


Chung, D.Y.S., ‘French harpsichord music, known and unknown’, critical review of four recordings of French keyboard music, in Early Music, 35(2007), pp.480–2. [invited review of CD: 2,400 words]


Chung, D.Y.S., ‘French harpsichord music’, critical review of six recordings by Hank Knox, Trevor Pinnock, Betty Bruylants, John Kitchen, David Pollock and Mitzi Meyerson, in Early Music, 33(2005), pp.728–9. [invited review of CD: 1,600 words]


Chung, D.Y.S. Critical review of Jean-Henry D’Anglebert: Pièces de clavecin (Paris, 1689). Hank Knox, clavicytherium. Les Productions, 2003. [EMCCD-7759], in Journal of Seventeenth-Century Music, vol. 11 (205), no. 1 [CD Review: 2,800 words]


Chung, D.Y.S. Jean-Baptiste Lully: 27 Opera Pieces transcribed for Keyboard in the 17th and 18th Century. Critical edition. UT Orpheus Edizioni, ES45. 2004. [Critical Edition, 70 pages of music and text]


Chung, D.Y.S., ‘Lully, D’Anglebert and the transmission of 17th-century French harpsichord music’, Early Music, 31(2003), pp.582–604. [Journal article, peer-reviewed: 6,000 words]


Chung, D.Y.S., ‘The Menetou manuscript and 17th-Century French culture and politics’, Proceedings of the International Conference in Musicology, Jagiellonian University, Krakow, Poland, September 2003, pp.273–81. [Conference Proceedings: 3,000 words]


Chung, D.Y.S., ‘Keyboard arrangements and the development of the overture in French harpsichord music 1670–1730’, Early Keyboard Journal (Vol. 19, 2001), pp. 33–67. [Journal article, peer-reviewed: 5,000 words]

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