Publications (selected)
Chung, D.Y.S. Livre de tablature de clavescin de Monsieur de Druent, écrit par Couperin, critical edition. Tynset, Norway: Lyrebird Music, 2025.
Chung, D.Y.S. ‘The perpetual evolution of Johann Sebastian Bach’s Chromatic Fantasia (BWV 903): a study of style and interpretative strategies’, in Ad Parnassum: A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, 23, 44 (April 2025), pp. 1-23.
ISSN: 1722-3954.
Chung, D.Y.S. ‘The Significance of the Preludes with Figured Bass in F-Pn Vm8 1139 for Keyboard Pedagogy in Early Eighteenth-Century France’, in Figured Bass Accompaniment in Europe, edited by Livio Ticli. Turnhot: Brepols, 2024, pp. 3-20.
ISBN 978-2-503-60851-8
https://www.brepols.net/products/IS-9782503608518-1
Chung, D.Y.S. ‘A Multifaceted Manuscript Brussels (B-Bc FA VI 089)’, Revue Belge de Musicologie, 75 (2021), pp. 27-54.
ISSN: 0771-6788
Chung, D.Y.S. ‘A Little Known Manuscript in Brussels (B-Bc 13878)’, Revue Belge de Musicologie, 74 (2020), pp. 5-16.
ISSN: 0771-6788
Chung, D.Y.S. ‘Chambonnières’s Jeunes Zéphyrs and the hidden craft of the seventeenth-century clavecinistes’, in Hidden Archives, Hidden Practices: Debates about Music-Making, ed. H. Marinho et als. Aveiro: UA Editora, 2020, pp. 127-142.
ISBN: 978-972-789-646-2
Chung, D.Y.S. ‘French collections: a precious miscellany’, Early Music 48, 2 (2020), pp. 281-284.
https://doi.org/10.1093/em/caaa032
Chung, D.Y.S. ‘Transcribing Couperin’s Preludes à la D’Anglebert: A Journey into the Creative Processes of the 17th-Century Quasi-Improvisatory Tradition’, in Music & Practice, vol. 5 (2019), https://www.musicandpractice.org/volume-5/transcribing-couperins-preludes-a-la-danglebert/
Chung, D.Y.S. ‘François Couperin (1668–1733), ed. Denis Herlin, Pièces de clavecin, premier livre (1713) / Pièces de clavecin, second livre (1717). Kassel: Bärenreiter, 2016 / 2018.” Eighteenth-Century Music, 16, no. 2 (2019): 178–80.
https://doi.org/10.1017/S1478570619000150
Chung, D.Y.S. ‘French harpsichord doubles and the creative art of the 17th-century clavecinistes’, in Musical Improvisation in the Baroque Era, edited by Fulvia Morabito. Turnhot: Brepols, 2019, pp. 3–29.
ISBN 978-2-503-58369-3
Chung, D.Y.S. Jacques Champion de Chambonnières. The Collected Works. Edited by Bruce Gustafson and Denis Herlin. 2 vols. Art of the Keyboard 12. New York: The Broude Trust, 2017, in Journal of Seventeenth-Century Music, vol. 24 (2018), no. 1.
https://sscm-jscm.org/jscm-issues/volume-24-no-1/chung-review/
ISSN: 1089-747X
Chung, D.Y.S. Online Thematic Keyboard of Lully Keyboard Arrangements.
http://digital.lib.hkbu.edu.hk/OTCL/, created 1 September 2018.
Chung, D.Y.S. ‘Rediscovered pièces de clavecin’, Early Music 45, 4 (2017), pp. 684–685.
https://doi.org/10.1093/em/cax072
Chung, D.Y.S., ‘Bernard de Bury (1720–1785), ed. Ruta Bloomfield. Four Suites for Harpsichord: critical edition. New York: Edwin Mellen, 2015, pp. XIII+ 74, isbn 978 0 7734 0081 8’, Eighteenth-Century Music 13, 2 (2016), pp. 316–318.
https://doi.org/10.1017/S1478570616000129
Chung, D.Y.S. ‘French keyboard collections, Early Music 43, 4 (2015), pp. 713–716.
https://doi.org/10.1093/em/cav093
Chung, D.Y.S., ‘The Menetou manuscript: a study of styles and repertory for the harpsichord during late-seventeenth-century France’, Revue de musicologie 2 (2015): 407–436.
https://sfmusicologie.fr/publication/tome-1012
Chung, D.Y.S., ‘The Bauyn Manuscript: Harpsichord Music from the Seventeenth Century,’ Notes 72, no. 1 (2015): 216–221.
https://muse.jhu.edu/ (accessed August 11, 2015).
https://www.jstor.org/stable/44015051
http://search.proquest.com/docview/1700974115?accountid=11440
Chung, D.Y.S., ‘Interpreting Historical Keyboard Music: Sources, Contexts and Performance. Ed. by Andrew Woolley and John Kitchen’, Music & Letters 96, 1 (2015): 121–123.
https://doi.org/10.1093/ml/gcu113
Chung, D.Y.S., Keyboard Arrangements of Music by Jean-Baptiste Lully. Critical edition, in Monuments of Seventeenth-Century Music, Vol. 1 of the Web-Library of Seventeenth-Century Music. 2015.
[The Web Library of Seventeenth-Century Music (ISSN 2330-2429) presents new editions of seventeenth-century compositions that have remained unpublished or that are not available commercially. Editions are selected and reviewed by an Editorial Board of specialists in seventeenth-century music. As such, WLSCM is pioneering the online publication of refereed (peer-reviewed) musical editions. The Monuments series is dedicated to large collections and anthologies of music, often from a variety of sources. Taking advantage of online publishing, the editions feature a variety of search and browse functions and present individual printable scores with their own critical and performance notes.]
https://www.sscm-wlscm.org/monuments-of-seventeenth-century-music/volume-i
https://doi.org/10.53610/PXTJ4636
Chung, D.Y.S., ‘Keyboard music from France and the Low Countries’, in Early Music, (42)2014, pp. 147–50.
https://doi.org/10.1093/em/cas094
Chung, D.Y.S., ‘French Harpsichord Vitality’, in Early Music, 41(2013), pp. 525–7.
https://doi.org/10.1093/em/cat074
https://doi-org.lib-ezproxy.hkbu.edu.hk/10.1093/em/cat074
Chung, D.Y.S., ‘Couperin’s musical autobiography’, in Early Music, 40(2012), pp.502–3.
https://doi.org/10.1093/em/cas086
Chung, D.Y.S., ‘Claude Bénigne Balbastre (1727–1799): Pièces de clavecin (1759)’, in Eighteenth-Century Music 9, 1 (2012), pp.144–6.
https://doi.org/10.1017/S1478570611000509
Chung, D.Y.S., ‘The port de voix in Louis Couperin’s Unmeasured Preludes: A Study of Types, Functions and Interpretation’, in Performers’ Voices Across Centuries and Cultures, ed. Anne Marshman (London: Imperial Press, 2011), pp.59–84.
Chung, D.Y.S., ‘D’Anglebert in multiple texts’, in Early Music, 39(2011), pp.624–6.
https://doi.org/10.1093/em/car095
Chung, D.Y.S., ‘A German keyboard compendium’, critical review of recordings of 17th- and 18th-century German harpsichord music, in Early Music, 39(2011), pp.119–22.
https://doi.org/10.1093/em/caq126
https://doi-org.lib-ezproxy.hkbu.edu.hk/10.1093/em/caq126
Chung, D.Y.S., ‘Revisiting le bon goût: observations on the irregularities and inconsistencies in French harpsichord music 1650–1730’, Music & Letters, 92 (2011), pp.183–201.
https://doi.org/10.1093/ml/gcq114
Chung, D.Y.S., ‘French harpsichord collections’, critical review of recordings of 17th- and 18th-century French harpsichord music, in Early Music, 38(2010), pp.160–3.
https://doi.org/10.1093/em/cap127
Chung, D.Y.S., ‘Patronage and the development of French clavecin music during Louis XIV’s reign’, Proceedings of the International Conference in Musicology, Early Music: Context and Ideas II, Jagiellonian University, Krakow, Poland, September 2008, pp.110–8.
Chung, D.Y.S., ‘Clavecin music from France and Belgium’, critical review of recordings of French and Belgium harpsichord music, in Early Music, 36(2008), pp.653–6.
https://doi.org/10.1093/em/can106
Chung, D.Y.S., ‘Chambonnières online’, critical review of Bruce Gustafson, Chambonnières: A Thematic Catalogue—The Complete Works of Jacques Champion de Chambonnières (1601/02–72), JSCM Instrumenta 1, University of Illinois Press, 2007, in Early Music, 36(2008), pp.314–6.
https://doi.org/10.1093/em/can022
Chung, D.Y.S., ‘French harpsichord music, known and unknown’, critical review of four recordings of French keyboard music, in Early Music, 35(2007), pp.480–2.
https://doi.org/10.1093/em/cam035
Chung, D.Y.S., ‘French harpsichord music’, critical review of six recordings by Hank Knox, Trevor Pinnock, Betty Bruylants, John Kitchen, David Pollock and Mitzi Meyerson, in Early Music, 33(2005), pp.728–9.
https://doi.org/10.1093/em/cah185
Chung, D.Y.S. Critical review of Jean-Henry D’Anglebert: Pièces de clavecin (Paris, 1689). Hank Knox, clavicytherium. Les Productions early-music.com, 2003. [EMCCD-7759], in Journal of Seventeenth-Century Music, vol. 11 (205), no. 1.
https://sscm-jscm.org/v11/no1/chung.html
Chung, D.Y.S. Jean-Baptiste Lully: 27 Opera Pieces transcribed for Keyboard in the 17th and 18th Century. Critical edition. UT Orpheus Edizioni, ES45. 2004.
Chung, D.Y.S., ‘Lully, D’Anglebert and the transmission of 17th-century French harpsichord music’, Early Music, 31(2003), pp.582–604.
https://doi.org/10.1093/earlyj/XXXI.4.582
Chung, D.Y.S., ‘The Menetou manuscript and 17th-Century French culture and politics’, Proceedings of the International Conference in Musicology, Jagiellonian University, Krakow, Poland, September 2003, pp.273–81.
Chung, D.Y.S., ‘Keyboard arrangements and the development of the overture in French harpsichord music 1670–1730’, Early Keyboard Journal (Vol. 19, 2001), pp. 33–67.
