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Publications (selected)

Chung, D.Y.S. ‘A Multifaceted Manuscript Brussels (B-Bc FA VI 089)’, Revue Belge de Musicologie, 75 (2021), pp. 27-54.


Chung, D.Y.S. ‘A Little Known Manuscript in Brussels (B-Bc 13878)’, Revue Belge de Musicologie, 74 (2020), pp. 5-16.


Chung, D.Y.S. ‘Chambonnières’s Jeunes Zéphyrs and the hidden craft of the seventeenth-century clavecinistes’, in Hidden Archives, Hidden Practices: Debates about Music-Making, ed. H. Marinho et als. Aveiro: UA Editora, 2020, pp. 127-142.

ISBN: 978-972-789-646-2


Chung, D.Y.S. ‘French collections: a precious miscellany’, Early Music 48, 2 (2020), pp. 281-284.


Chung, D.Y.S. ‘Transcribing Couperin’s Preludes à la D’Anglebert: A Journey into the Creative Processes of the 17th-Century Quasi-Improvisatory Tradition’, in Music & Practice, vol. 5 (2019),

doi: 10.32063/0509


Chung, D.Y.S. ‘François Couperin (1668–1733), ed. Denis Herlin, Pièces de clavecin, premier livre (1713) / Pièces de clavecin, second livre (1717). Kassel: Bärenreiter, 2016 / 2018.” Eighteenth Century Music, 16, no. 2 (2019): 178–80.

doi: 10.1017/S1478570619000150.


Chung, D.Y.S. ‘French harpsichord doubles and the creative art of the 17th-century clavecinistes’, in Musical Improvisation in the Baroque Era, edited by Fulvia Morabito. Turnhot: Brepols, 2019, pp. 3–29.

ISBN 978-2-503-58369-3


Chung, D.Y.S. Jacques Champion de Chambonnières. The Collected Works. Edited by Bruce Gustafson and Denis Herlin. 2 vols. Art of the Keyboard 12. New York: The Broude Trust, 2017, in Journal of Seventeenth-Century Music, vol. 24 (2018), no. 1,


Chung, D.Y.S. Online Thematic Keyboard of Lully Keyboard Arrangements, created 1 September 2018.


Chung, D.Y.S. ‘Rediscovered pièces de clavecin’, Early Music 45, 4 (2017), pp. 684–685.

Chung, D.Y.S., ‘Bernard de Bury (1720–1785), ed. Ruta Bloomfield. Four Suites for Harpsichord: critical edition. New York: Edwin Mellen, 2015, pp. XIII+ 74, isbn 978 0 7734 0081 8’, Eighteenth Century Music 13.02 (2016): 316­–8.


Chung, D.Y.S., ‘The Menetou manuscript: a study of styles and repertory for the harpsichord during late-seventeenth-century France’, Revue de musicologie 2 (2015): 407–36.


Chung, D.Y.S., ‘The Bauyn Manuscript: Harpsichord Music from the Seventeenth Century,’ Notes 72, no. 1 (2015): 216-221.                       


Chung, D.Y.S., ‘Interpreting Historical Keyboard Music: Sources, Contexts and Performance. Ed. by Andrew Woolley and John Kitchen’, Music and Letters 2015 96 (1): 121-3.

doi: 10.1093/ml/gcu113


Chung, D.Y.S., Keyboard Arrangements of Music by Jean-Baptiste Lully. Critical edition, in Monuments of Seventeenth-Century Music, Vol. 1 of the Web-Library of Seventeenth-Century Music. 2015. (, Online critical edition of 248 pieces, with an Introductory text of 10,000 words)

[The Web Library of Seventeenth-Century Music (ISSN 2330-2429) presents new editions of seventeenth-century compositions that have remained unpublished or that are not available commercially. Editions are selected and reviewed by an Editorial Board of specialists in seventeenth-century music. As such, WLSCM is pioneering the online publication of refereed (peer-reviewed) musical editions. The Monuments series is dedicated to large collections and anthologies of music, often from a variety of sources. Taking advantage of online publishing, the editions feature a variety of search and browse functions and present individual printable scores with their own critical and performance notes.]


Chung, D.Y.S., ‘Keyboard music from France and the Low Countries’, in Early Music, (42)2014, pp. 147–50.


Chung, D.Y.S., ‘French Harpsichord Vitality’, in Early Music, 41(2013), pp. 525–7.


Chung, D.Y.S., ‘Couperin’s musical autobiography’, in Early Music, 40(2012), pp.502–3.


Chung, D.Y.S., ‘Claude Bénigne Balbastre (1727–1799): Pièces de clavecin (1759)’, in Eighteenth-Century Music, 9(2012), pp.144–6.


Chung, D.Y.S., ‘D’Anglebert in multiple texts’, in Early Music, 39(2011), pp.624–6.


Chung, D.Y.S., ‘The port de voix in Louis Couperin’s Unmeasured Preludes: A Study of Types, Functions and Interpretation’, in Performers’ Voices Across Centuries and Cultures, ed. Anne Marshman (London: Imperial Press, 2011), pp.59–84.


Chung, D.Y.S., ‘A German keyboard compendium’, critical review of recordings of 17th- and 18th-century German harpsichord music, in Early Music, 39(2011), pp.119–22. 

Chung, D.Y.S., ‘Revisiting le bon goût: observations on the irregularities and inconsistencies in French harpsichord music 1650–1730’, Music and Letters, 92 (2011), pp.183–201.

doi: 10.1093/ml/gcq114


Chung, D.Y.S., ‘French harpsichord collections’, critical review of recordings of 17th- and 18th-century French harpsichord music, in Early Music, 38(2010), pp.160–3.


Chung, D.Y.S., ‘Patronage and the development of French clavecin music during Louis XIV’s reign’, Proceedings of the International Conference in Musicology, Early Music: Context and Ideas II, Jagiellonian University, Krakow, Poland, September 2008, pp.110–8.


Chung, D.Y.S., ‘Clavecin music from France and Belgium’, critical review of recordings of French and Belgium harpsichord music, in Early Music, 36(2008), pp.653–6.


Chung, D.Y.S., ‘Chambonnières online’, critical review of Bruce Gustafson, Chambonnières: A Thematic Catalogue—The Complete Works of Jacques Champion de Chambonnières (1601/02–72), JSCM Instrumenta 1, University of Illinois Press, 2007, in Early Music, 36(2008), pp.314–6.


Chung, D.Y.S., ‘French harpsichord music, known and unknown’, critical review of four recordings of French keyboard music, in Early Music, 35(2007), pp.480–2.


Chung, D.Y.S., ‘French harpsichord music’, critical review of six recordings by Hank Knox, Trevor Pinnock, Betty Bruylants, John Kitchen, David Pollock and Mitzi Meyerson, in Early Music, 33(2005), pp.728–9.


Chung, D.Y.S. Critical review of Jean-Henry D’Anglebert: Pièces de clavecin (Paris, 1689). Hank Knox, clavicytherium. Les Productions, 2003. [EMCCD-7759], in Journal of Seventeenth-Century Music, vol. 11 (2005), no. 1, 


Chung, D.Y.S. Jean-Baptiste Lully: 27 Opera Pieces transcribed for Keyboard in the 17th and 18th Century. Critical edition. UT Orpheus Edizioni, ES45. 2004.


Chung, D.Y.S., ‘Lully, D’Anglebert and the transmission of 17th-century French harpsichord music’, Early Music, 31(2003), pp.582–604.


Chung, D.Y.S., ‘The Menetou manuscript and 17th-Century French culture and politics’, Proceedings of the International Conference in Musicology, Jagiellonian University, Krakow, Poland, September 2003, pp.273–81.


Chung, D.Y.S., ‘Keyboard arrangements and the development of the overture in French harpsichord music 1670–1730’, Early Keyboard Journal (Vol. 19, 2001), pp. 33–67.

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